3.6
5
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
- DIRECTOR
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- John Cassavetes
- WRITER
- STUDIO
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- Faces
The Longhettis are a working class family, Nick who heads a city works crew, and Mabel who stays at home looking after their three adolescent children, Angelo, Tony and Maria. Many people who look at the family from the outside believe Mabel is crazy, her behavior which Mabel largely attributes to her exuberance in trying to be who she thinks Nick wants her to be to put their family in a good light in whatever social situation. Nick too knows the perception others have of Mabel, he who tries to do whatever he needs to to protect her. An incident involving Mabel may cross that line for Nick of what he believes he can handle on his own, versus needing the assistance of medical professionals, all in protecting the children and Mabel from herself, but equally what he believes is the good Longhetti name. Nick's collective actions in dealing with Mabel before, during and after this specific incident demonstrate how emotionally capable Nick is in his own right.
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