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Five Minutes of Heaven
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Genre | Mystery & Suspense |
Format | NTSC, Multiple Formats, Color, Widescreen |
Contributor | Oliver Hirschbiegel, Liam Neeson, James Nesbitt |
Language | English |
Runtime | 1 hour and 29 minutes |
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Product Description
Product Description
From the Oscar®-nominated director of Downfall, the BAFTA-winning screenwriter of Omagh, and star Liam Neeson comes a startling new thriller inspired by true events: In 1975, 17-year-old Irish-Protestant Alistair Little assassinated 19-year-old Catholic Jim Griffin in his Ulster home. The murder was witnessed by Griffin's 11-year-old brother Joe. Thirty years later, Little (Neeson) has been rehabilitated and released from prison, while Joe Griffin (James Nesbitt of Bloody Sunday and Jekyll) remains traumatized and bitter. But when a television talk show decides to bring them together for a live on-air reconciliation, two men haunted by one moment must come face-to-face with their own worlds of pain, violence and vengeance. Anamaria Marinca of 4 Months, 3 Weeks & 2 Days co-stars in this must-see drama that dares to explore both sides of Northern Ireland's troubled past as it comes to terms with it's still uncertain future.
Review
4 stars. Neeson and Nesbitt hammer it home. --David Fear, Time Out New York
Well performed and thought provoking...A new cinematic twist on a devastating period. --Gary Goldstein, Los Angeles Times
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 ounces
- Item model number : MFR030306971599#VG
- Director : Oliver Hirschbiegel
- Media Format : NTSC, Multiple Formats, Color, Widescreen
- Run time : 1 hour and 29 minutes
- Release date : April 27, 2010
- Actors : Liam Neeson, James Nesbitt
- Studio : IFC Independent Film
- ASIN : B003498SCQ
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #127,810 in Movies & TV (See Top 100 in Movies & TV)
- #6,417 in Mystery & Thrillers (Movies & TV)
- #11,526 in Action & Adventure DVDs
- #19,713 in Drama DVDs
- Customer Reviews:
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Does forgiveness condone and enable, or free the suffering? Much depends on whether the perpetrator is truly sorry, deeply repentant, while some acts are beyond us and our capacity to forgive. Thirty-three years after the murder of James Griffin (a Catholic), his killer, Alistair Little (Liam Neeson), lives in a sleek contemporary loft as austere as a self-imposed prison. Little was 17 in 1975, during the Northern Irish Troubles, at the time of the killing. He was a member of a loyalist Ulster Volunteer Force (UVF) cell. Subsequently, Little was arrested and sentenced to prison for 12 years in Maze Prison. In the intervening years, he has worked to redeem himself by renouncing violence and helping others find healing through the Forgiveness Project.
When Alistair Little's gang attacked James Griffin, a little 8-year old boy was outside on the street, practicing bouncing a soccer ball against the wall, an image that flashbacks through the film. It's young Joe Griffin, who watches in helpless horror as the shocking events unfold. Joe's mum (Paula McFetridge) blames her young son; to say he suffers from survivor's guilt is an understatement. His soul is frozen in time. Joe Griffin (James Nesbitt) may have become an adult with a wife and two daughters, but he is back in 1975, reliving the horror over and over again. Compared to the well-off Alistair Little, he lives in far humbler circumstances, haunted by his brother's death. In the film, a television show reunites Little and Griffin, with superb sequences of Nesbitt's Griffin coming undone in the taxi cab on the way to the meeting-site, and coping with the show's producers. Griffin dialogue burns, his anger is palatable, and Nesbitt is perfection; gifted with intensity as in his Jekyll and Murphy's Law: Series One . Anyone with PTSD, who has survived brutality, can deeply understand the duality of Joe Griffin's life.
In real life, Little and Griffin have never met. For this film, screenwriter Guy Hibbert imagined what would happen if a television show attempted to reunite them. Hibbert asked Griffin and Little what would happen if they met: "Joe said he would pull a knife, and Alistair said he would try not to defend himself." With the Forgiveness Project, Little states that, "I don't think I have a right to ask for forgiveness. It only adds insult to injury and places yet another burden upon relatives and family members." Nesbitt and Neeson are both superb inhabiting these tormented characters.
The conclusion of the film profoundly portrays complex inner narrative and change. After meeting up and fighting in the house where the murder took place, Little tells Griffin, "Get rid of me." This isn't about trite forgiveness, but how Griffin must finally free himself from being trapped by the dreadful actions of others. Griffin attends group therapy where he breaks down in tears, realizing he simply seeks to be a good father to his daughters. Griffin then calls Little on his cell phone to inform him that, "We're finished." On the sidewalk, Alistair Little sinks to his knees, grocery bags and all, surrounded by passerby who have no idea what is transpiring, grateful that Joe Griffin can finally love and live a life less bound by pain and simply be, without Little haunting and limiting him.
This is a movie set in Ireland during the Troubles. Alistair Little (Liam Neeson) of the Ulster Volunteer Force (UVF) killed Joe Griffin's (James Nesbitt) brother when they were both teens. Alistair was a bored young man that felt Ireland should accept union with Great Britain & was ready to both retaliate for the actions of the IRA & to make his mark & win the respect of his superiors in the UVF in one act.
You then flash forward 33 years, years in which Joe has suffered the loss of his brother, mother, father & other things. Alistair has meanwhile become a noted speaker for reconciliation between divided humanity of all kinds. He is approached by a documentary production team & asked to mediate his own separation from Joe Griffin on camera. Greatly regretting his past, he agrees to do so.
The body of this movie, which is based on a true life incident, revolves around Alistair's & Joe's trying to come to grips with the past & discover what the future may hold. It is great performances that make this movie compelling along with the powerful story. You can forget there being much action license taken with this story. It's presented in a very straightforward & believable manner. Despite a great portrayal by Liam Neeson it's James Nesbitt's performance that stands out above the rest. I found it to be a very absorbing & enjoyable movie to watch. 5 Amazon Stars.
Pros:
Another great directed film by Oliver Hirschbiegel (director of "Downfall" and "13 Minutes", two other films I would recommend)
Good acting
Good and believable story line
Good plot
Cons:
If you are into fast-paced Hollywood action films, this movie is likely not for you as it is slower paced to build drama and emotions.
If you have a difficult time understanding an Irish accent and are one of those who don't like to use subtitles either, this film might not be for you.
If you are looking for a happy or just an action film this film may not be for you.
Personally, the above possible cons were not a factor for me, so I thought the film was great.
Top reviews from other countries
Le premier quart d'heure nous montre les conditions qui ont amené à l'assassinat d'un homme pendant la guerre civile d'Irlande du Nord dans les années 70, la narration place les différents personnages et nous les retrouvons aujourd'hui dans un château ou une émission de télévision poubelle, intrusive et malsaine doit les mettre en présence pour une réconciliation éventuelle.....
Le trait est à peine forcé et les situations sont d'une sobriété qui donnent une vérité encore plus grande aux protagonistes. L'adresse est là , dans cette rigueur narrative qui met en avant les émotions et laisse les évènements arriver à leurs termes. l'atmosphère est prenante, la musique accompagne et dramatise les moments forts, le réalisateur s'efface et par sa mise en place efficace des évènements participe pleinement à l'exposé passionnant des personnages et de leurs problèmes existentiels.