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West of Memphis
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Genre | Documentary |
Format | Color, Dolby, Subtitled, AC-3, Widescreen, Closed-captioned, NTSC, Multiple Formats |
Contributor | Vincent Di Maio, Mike Ledford, Cindy Hobbs, Mark Byers, David Jacoby, Martin Hill, Gail Grinnell, Damien Wayne Echols, Lorris Davis, Dennis Carter, Karen Bruewer, Erin Moriarty, Don Horgan, Laura Nirider, Steve Jones, Peter Jackson, Judy Sadler, Mildred French, Sheila Muse, Capi Peck, Joyce Cureton, John Fogleman, Fearless Films LLC, Scott Ellington, Lorri Davis, Mara Leveritt, Steve Braga, Stephanie Dollar, Barry Scheck, Dan Stidham, Vicki Hutcheson, Patrick Benca, Rachael Geiser, Fran Walsh, Jason Baldwin, Joseph Garner, Dennis Riordan, Amy Berg, Holly Ballard, Henry Rollins, Billy McMillin, Pam Hobbs, Eddie Vedder, David Burnett, Steve Drizin, Dr. Baden, Jerry Driver, Jennifer Bearden, Jessie Miskelly, John Douglas, Sharon French, Carlos Seals, Robert Meeks, Jamie Ballard, Michael Carson, Patti Smith See more |
Language | English |
Runtime | 2 hours and 27 minutes |
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Product Description
Product Description
A true story centering on the new investigation surrounding the 1993 murders of three 8-year-old boys in the town of West Memphis, Ark.
Amazon.com
You'd think that after the exhaustive Paradise Lost trilogy of documentaries by Joe Berlinger and Bruce Sinofsky (in 1996, 2000, and 2011) about the so-called West Memphis Three child murders that the subject would be pretty well accounted for. That is certainly true, but West of Memphis is in no way superfluous or redundant in its passionate examination of what is nearly impossible not to call a grave miscarriage of justice. For anyone who has seen the Paradise Lost films, the details of the case against Damien Echols, Jason Baldwin, and Jessie Misskelley are well known. Ever since their trial, conviction, and life sentences (with a death sentence for Echols) as teenagers for allegedly murdering three young boys in West Memphis, Arkansas, in 1993, the men have been regarded as scapegoats by thousands of people around the world as well as those intimately involved in the case. Though the state of Arkansas never budged on its obstinate stance, the three were released in a plea deal after 17 years when pushes for a possible new trial pointed to further rancor and the probability of new evidence that would expose a massive web of injustice. Director Amy Berg interviews many of the same characters that Sinofsky and Berlinger did, but her perspective is focused on efforts to free the men with a plethora of allegations infinitely more believable than that which the state used to ramrod them into guilt. Her star witness in this film is Lorri Davis, the woman Echols befriended by mail, then married in prison in 1999. Her efforts on the outside led to the ongoing campaign to free the West Memphis Three as well as to new investigations into who actually committed the crime. (Berg and Echols are coproducers, along with Peter Jackson and Fran Walsh of Lord of the Rings fame, who were massive financial and moral supporters of the cause since its beginning.) There is, of course, some duplication of material and it feels a little long, but West of Memphis is scrupulously crafted in both its visual style as well as its attention to the minutiae of facts--forensic and otherwise--that overwhelmingly point the finger of guilt at the stepfather of one of the victims. Digging deep, adding moral and emotional weight, and doling out information gradually to truly damning effect, West of Memphis is completely absorbing and extraordinarily moving. It also seems to be not nearly the end of the story in asking so many questions about whether genuine justice will ever be served. --Ted Fry
Product details
- Aspect Ratio : 1.78:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 ounces
- Item model number : 27147807
- Director : Amy Berg
- Media Format : Color, Dolby, Subtitled, AC-3, Widescreen, Closed-captioned, NTSC, Multiple Formats
- Run time : 2 hours and 27 minutes
- Release date : August 6, 2013
- Actors : Jason Baldwin, Lorris Davis, Damien Wayne Echols, Pam Hobbs, Jessie Miskelly
- Subtitles: : English, Thai, French, Spanish, Mandarin Chinese, Korean
- Producers : Amy Berg, Damien Wayne Echols, Lorri Davis, Peter Jackson, Fran Walsh
- Studio : Sony Pictures Home Entertainment
- ASIN : B00AIBZKFG
- Writers : Amy Berg, Billy McMillin
- Number of discs : 1
- Best Sellers Rank: #110,941 in Movies & TV (See Top 100 in Movies & TV)
- #3,259 in Documentary (Movies & TV)
- Customer Reviews:
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The best documentary on the West Memphis Three.
Top reviews from the United States
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- Reviewed in the United States on August 20, 2013What, one could argue, could possibly be added to story of the West Memphis Three which wasn't covered in the Paradise Lost Trilogy? After finally watching West of Memphis, this viewer can emphatically state, "TONS!"
It is important to note that I think West of Memphis and the Paradise Lost films cannot and should not be compared. Both are excellent. The Paradise Lost films are more about a horrific crime and an unfolding story - did they do it or did they not? Especially in the first film, it is impossible not to be moved by the pain of the families of the murdered children. West of Memphis obviously recounts the crime, but comes from a stance that the WM3 are innocent and how justice might be achieved for them.
Like many of you, I watched Paradise Lost the first time it aired on HBO. I remember seeing film-makers Berlinger & Sinofsky on the Today show in advance, telling that they went to film the trial because they were both parents of young children and they wanted to find answers as to how children could so brutally kill other children. They said they came away with a story other than the one they went to film - indeed they did.
Also like many of you, I bought vhs copies, then later dvd copies of the Paradise Lost movies, joined the Free the WM3 site, bought the t-shirts, read the books, etc. This case wouldn't let go. What West of Memphis delves into is all of the new evidence findings (yes, addressed somewhat in Paradise Lost II), and delving into it in great depth. West of Memphis goes into much greater detail of what the missed evidence was, where it was found and it answers a really big question of where was all the blood from the injuries on the bodies of the little boys? If the kill site was different, how could killer/killers transport victims from a kill site to a dump site without anyone seeing? And what about the serrated knife that magically appeared in the lake behind Jason's home? For me so many of the evidentiary questions were finally answered - except the "who did it?" Although the film makes a very strong case for the guilt of Terry Hobbs as the killer of the boys, likely we will never know - the state of Arkansas' prosecutorial representatives make it pretty clear this case is closed as far as Arkansas is concerned.
West of Memphis also goes into more detail about who the WM3 are as adult men. There are more interviews with them in this film than likely were allowed by the prisons in the Paradise Lost films. Especially the interviews with Jesse Misskelly in the extras of WOM moved me tremendously. This film also shows the phalanx of high profile lawyers required and brought on board (thanks to the support from a lot of people, including some generous famous folks with some pretty deep pockets) to argue and advocate for these guys.
For me West of Memphis and the Paradise Lost films are integral parts of the same piece - not just because they are dealing with the same case, but because they each tell a different, critical part of this story from completely different vantage points. That being said, they are both stand-alone films, each excellent.
Ever doubt the power of film and its ability to bring about change? Imagine where the WM3 would be without that first Paradise Lost film. Damien would likely already have been executed by now, a footnote on the evening news. Jason and Jesse would be lost in the penal system, remembered only by their families. Instead these films forced the rest of us to make a personal choice to either get involved and speak up or just look away. West of Memphis showed what could happen when a bright light is shown on something dark and ugly and what could be done when we speak up. Although I hate they had to invoke the Alford plea to get out, I am just so glad that Damien, Jason and Jesse ARE out.
The first time I went to Memphis, TN, I crossed the bridge over the Mississippi and found myself in sad, poor West Memphis, Arkansas. Memphis, TN with its museums, culture and bright lights must have seemed a universe away to those young men back in 1993. Today, they can go anywhere!
- Reviewed in the United States on December 5, 2023It's a shame with all the advances we've made in science and our understandings of psychology, neurology, and sociology, and their intersections that our courts and its officers (including and especially defense counselors) are still so shockingly confident even of its wrongs without so much as a tiny hint of humble self-awareness that- as it has been countless of times since the dawn of jurisprudence- it could be and very often is wrong in pleadings and pronouncements. That's truly a shame, really it is. But it's a f------ tragedy that this is gaping flaw is occurring so often even in capital cases which are given the most attention, time, scrutiny, review, and other resources. Given how often our courts fail to ascertain the (true and actual) facts and the correct applications of the laws to those facts even in so many capital cases, it is absolutely terrify/orizing to consider how often our courts must most certainly wringfully convict and unjustly sentence defendants in non-capital cases. And even though a defendant in a non-capital case may not be facing execution or life, thats no consolation to the masses of wrongfully convicted who have spent years- some even decades- for crimes they are innocent of. Moreover, while achieving justice, exoneration, and restoration after wrongful conviction in a capital case is just shy of impossible even with access to a great law firm and exculpatory yevidence and witnesses; achieving anything even approaching justice, exoneration, and restoration after wrongful conviction in a non-capital case- again, even with superb counsel and dispositive evidence- has a statistical probability of about zero.
So, surely thIS indisputable truth must at least give law enforcement, defehse attorneys, prosecutors, and judges at least a smidgen of pause- even if not humility- when rendering their veritable miscarriages of justice, right?
🤣🤣🤣🤣🤣
HAHAHAHA!!!
OF COURSE NOT!!!
For though the heavens may fall, justice shall NEVER supercede the haughty pride and fragile egos of judicial, court, and law enforcement "officers".
Selah
My country 'tis of thee,
no justice or liberty.
Of thee I sing!
Top reviews from other countries
- SindriReviewed in the United Kingdom on June 19, 2013
5.0 out of 5 stars "Lyrical, philosophical, humane and informative..."
American screenwriter, producer and documentary filmmaker Amy J. Berg`s second documentary feature which she co-wrote with screenwriter and film editor Billy McMillin and co-produced, premiered in the Documentary Premieres section at the 28th Sundance Film Festival in 2012, was screened in the Mavericks section at the 37st Toronto International Film Festival in 2012, was shot on location in USA and is an American production which was produced by producers Peter Jackson, Fran Walsh, Damien Echols and Lorri Davis. It tells the story about American 16-year-old Charles Jason Baldwin, American 17-year-old Jessie Lloyd Misskelley Jr and American 18-year-old Michael Wayne Echols who in June, 1993 in the city of West Memphis in the state of Arkansas in Crittenden county, USA was arrested for the triple homicide of three 8-year-old boys named Michael Moore, Steve Branch and Christopher Byers whose bodies were found by a former Juvenile officer named Steve Jones and a policeman named Mike Allen in a pond in the Robin Hood Hills.
Distinctly and subtly directed by American filmmaker Amy J. Berg, this fourth documentary about the now well-known West Memphis Three which was preceded by American filmmakers Joe Berlinger and Bruce Sinofsky`s "Paradise Lost: The Child Murders at Robin Hood Hills" (1996), "Paradise Lost 2: Revelations" (2000) and "Paradise Lost 3: Purgatory" (2011), is narrated from multiple viewpoints, draws a more multidimensional portrayal of the place where two young men were sentenced to life imprisonment and one to death by the Arkansas Supreme Court in the year of 1994, focuses mostly on the story of Damien Echols and reexamines the case which has engaged filmmakers, actors, musicians, journalists, defense attorneys, activists and people from all over the world in a common action to get the three men who become preys of a satirical judicial system exonerated. While notable for its distinct and atmospheric milieu depictions and the sterling cinematography by French cinematographer Maryse Alberti and Irish cinematographer Ronan Killeen, this narrative-driven retelling of a criminal case which began two decades from today, which as the former documentaries proves how horrible things can turn out when people in power decides to play almighty and self-righteously impose their judgment on people they regard as inferior and which deprived the freedom of three American citizens and isolated them from the civilized society for eighteen years, introduces new interviews, theories and stories and contains a timely score by Australian musicians and composers Nick Cave and Warren Ellis.
This investigative, educational and scrutinizing study of a 20th and 21st century tragedy which is set mostly in the American South and which through a wide range of conversations with people who has, still is and will always be connected to the case describes the significance of the media and politics in this matter and points pretty clearly as to who the real perpetrator might be, is impelled and reinforced by its fragmented narrative structure, subtle continuity and nuanced style of filmmaking. A lyrical, philosophical, humane and informative documentary feature which brings forth unheard voices, acknowledges the many people who stood by the three convicted boys who became the earliest and most accessible targets of hatred and condemnation until their arduous and disregarded call for justice prevailed and underlines how a pivotal union between a once aspiring magician and a woman who dedicated her life to a man on death row was born in the midst of this real life horror story which began on a day in May, 1993 when three boys went missing.
- iampagoReviewed in the United Kingdom on October 31, 2014
5.0 out of 5 stars See For Yourself
Harrowing. Horrifying. Moving. Eye-opening. Graphic. A Masterpiece.
This is compulsory viewing for adults who are not of a sensitive nature and can look at this case with perspective and sound judgment.
If you're not familiar with the case of 'The West Memphis Three', I would recommend first reading Mara Levitt's 'Devil's Knot' before watching this documentary; although it's not necessary, it will definitely enhance the viewing experience and will add some context, history and information that is not captured in the film.
This is a tragedy stretching all the way from the young victims of the crime, to the teenagers falsely accused and imprisoned for being the perpetrators. Six young boys lost their lives over this tragedy, and the real killer still hasn't been found.
It is a testament to the strength of the human will to live that the three convicted teenagers, who were subsequently released in 2011 after 18 years in prison (Damien Echols from death row and Jessie Misskelly and Jason Baldwin from consecutive life sentences), managed to fight for freedom for 18 years, only to be released under an Alford Plea and therefore not exonerated (well, those responsible for the teenagers' imprisonment need to save face, right?).
One can only hope that their exoneration will come one day, although it seems increasingly doubtful. Three lives ruined due to bigotry, religious fanaticism, a deep-south pack mentality, ambitious prosecutors and judges, appalling journalism, and a state-wide disdain for anyone who may be 'different'.
Ultimately, there are three young boys who lost their lives in 1993 and still no one is sure as to who committed this hideous crime (although there are some compelling insights in this film). The focus was shifted so far from doing what was right and ensuring that the investigation was seamless, and instead the local police (who were currently under investigation themselves) decided that, because there was such a lack of physical evidence, they would whip the locals into a frenzy and declare that the crime was a cult-related killing, resulting in mass-hysteria in both the public and the press. There was no evidence of a cult-related killing whatsoever, but with little evidence and under pressure to catch the killer, why not place blame on some poor, white-trash kids with nothing better to do? That really is the central theme in this case.
There were members of the victims' families who were never interviewed, eye-witnesses that were ignored, coerced confessions, bribed witnesses, false (or 'planted')and tampered evidence, corrupt members of the judiciary and corrupt police officers, a probation officer with an obsession with the occult, and three innocent teenagers who were hounded and harassed until they were found guilty.
Watch this documentary. I challenge the viewer not to get angrier than you've ever been in your life.
-
myriam calvezReviewed in France on September 28, 2015
1.0 out of 5 stars deçu
très très déçu. Je savais que le cd était en anglais. Sauf que le SOUS TITRAGE NE FONCTIONNE PAS donc le cd est inutilisable sauf si l'on est bilaingue.
- Amazon Guy.Reviewed in Canada on January 25, 2014
5.0 out of 5 stars Sad Very Sad.........
"West Of Memphis"? should not be the tears we shed for these boys,it should be tears we shed for
the Humans who live amongst us,
"Oh boy were do I begin"I was so overwhelm by this movie,the things that people do and say
just because they can say it,not knowing if it could cost someone their lives,and the point of being
incarcerated, for prison time,just because these three young men were loners,there were automatically
suspect of the state,and the police with the prosecutor didn't care or needed to look no further,even if
it was right there in front of them,I have to say when I saw the opening scene,to see these three little boys
body's it was the hardest thing I've ever endured,I had to stop for awhile and compose myself,if there's anyone
who doesn't have a Heart can still sit at a table and take a spoon of food and put it to his or her mouth [have to be fair]
and chew and swallow,who have kill these kids,I say death is not the answer for you,
I have no idea how or what to give for stars on this review. so forgive me if I'm wrong,I'm giving Five.
Sad Very Sad.........
- RicheyReviewed in Canada on September 17, 2013
5.0 out of 5 stars Wrap Up Of West Memphis Three?
This is an excellent wrap up and overview of the complete saga of the West Memphis Three.
I would still suggest that people view the first 3 dvd's concerning this case. The progression of the case and circumstances that arise through the years after the initial court trial is very interesting.